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Patrick Saville
Building an entire visual world for an album of dug-up, mystical music
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Rory Mcgrath
Building a Design Museum exhibition from insulation foam, pole protectors and £20 of industrial offcuts
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Alex Norris
Why making the worst comic possible became a smarter strategy than chasing greatness
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Vanilla Chi
How to develop a distinct illustration style with organised chaos and visual noise
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Manvsmachine
Mining Air Max heritage for patterns, hand gestures and a custom typeface
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#110
Katie Scott
Where botany, anatomy and 15th-century religious hierarchies meet in hand-drawn illustration
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#349
Actual Source
Building a self-initiated design practice from Utah, far from the industry hubs
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#402
Pablo Rochat
This social media artist iterates until the idea genuinely excites
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#384
Jamie Hawkesworth
Photography as the perfect excuse to go absolutely anywhere
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#246
Max Siedentopf
Turning plastic cutlery, sponges and air into a photography magazine
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#339
Richard Turley
Making a tactile lockdown newsletter to escape the overwhelm of digital life
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#282
Joey Yu
Why illustrators should manifest the commissions they want, not wait for them
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#267
Olimpia Zagnoli
An illustrator whose vibrant 80s Italian childhood still shines through
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#269
David Lane
Behind the art direction of a pop comeback eight years in the making
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#460
Andre D Wagner
A street photographer on a mission to truly connect
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#185
Jack Sachs
How a hand injury led one illustrator to teach himself 3D animation
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#471
Jean Jullien
How Jean Jullien makes light of negative news in his practice
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#486
Karlotta Freier
How to overcome nerves when completing a project for Hermès
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#172
Sam Pilling
Turning a rap battle into a political brawl in a Soviet meeting room for DJ Shadow
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#204
Yukai Du
Animating the scale of the universe through illustration, storyboards and geometric shapes
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#251
Offshore Studio
Why migration means more than refugees – a six-issue publishing experiment
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#268
Superimpose
Why two creative directors ditched big agencies to speak to a new generation
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Clay Hickson
Why the sketchbook is an illustrator’s best friend
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#427
Butt Studio
The importance of learning from creative ‘failures’
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#552
Porto Rocha
Challenging industry standards means creating seats at the table for designers
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#425
Joseph Melhuish
Discovering you can sketch in three dimensions using VR
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#92
Karl Toomey
Inventing useless objects, fake footballers and the joy of pointless ideas
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#250
Kyle Platts
Why one illustrator taught himself to animate instead of hiring help
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#440
Suzy Chan
How maximalist design becomes a tool for social commentary
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#557
Dixonbaxi
Open-source your knowledge: Rethinking how branding agencies should work
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#200
Nicolas Ménard
Building an animated short around an anti-climax and a children’s book structure
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Made Thought
How to add meaning and make “genuine” change through design
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#496
Harriet Richardson
Live, Laugh, Love, Revenge: the path from graphic design to performance art
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Annie Atkins
Designing film props is like specialising in forgery
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#154
Erik Kessels
Why creative people should embrace mistakes, look stupid and learn from amateurs
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Sarah Hyndman
Why fonts can make wine taste pricier and jelly beans taste sweeter
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#378
Raphael Abreu
Reimagining a fast food giant by looking inwards, not backwards, for inspiration
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#543
Bianca Beneduci Assad
Laughing through the pain: Illustration as a healing balm
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#364
Tracy Ma
How empathy shapes the most meaningful editorial reader experiences
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#287
Craig Oldham
The hidden art history and activism buried inside a cult 80s film
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